I will consider the Zengyi ahan jing chiefly as the product of historical actors, three-dimensional human beings engaging their own world, rather than the putative witness to some ill-defined sectarian tradition

A lengthy monograph on the historical circumstances surrounding the production and dissemination of T.125 — a process that would have an enduring impact on Chinese Buddhism.

Note that certain “combining” diacritics were dropped in the PDF due to a publishing error. The corrected diacritics can be found listed here.